Yaron Lifschitz is a graduate of the University of New South Wales, University of Queensland and National Institute of Dramatic Arts (NIDA) where he was the youngest director ever accepted into its prestigious graduate director’s course. Since graduating, Yaron has directed over 60 productions including large-scale events, opera, theatre, physical theatre and circus. His work has been seen in 39 countries, across six continents by over one million people.
He was founding Artistic Director of the Australian Museum’s Theatre Unit, Head Tutor in Directing at Australian Theatre for Young People and has been a regular guest tutor in directing at NIDA since 1995. He is currently Artistic Director and CEO of Circa.
With Circa, Yaron has created works such as by the light of stars that are no longer…, CIRCA, Wunderkammer, How Like an Angel, “S”, Beyond, Opus, Carnival of the Animals, Il Ritorno, Humans, and One Beautiful Thing. His recent works have been reviewed as being “stunning”, “exquisite” and “the standard to which all other circuses can aspire”. Yaron lives in Brisbane with his son, Oscar.
Nathan Boyle has been a natural performer his whole life. After terrorising his parents at a young age with handstands and cartwheels, his parents saw his passion for performing and acrobatics and enrolled him in gymnastics. His passion for acrobatics took him to sports acrobatics where he represented and won titles for New South Wales at many national championships.
After accepting his position at the National Institute of Circus Arts, Nathan specialised in cloudswing, adagio, bungee trapeze and teeterboard. A memorable moment for Nathan whilst at NICA was performing at an International Circus Festival in Auch, France in 2009.
Nathan joined Circa as a full time ensemble member in 2011 and has since entertained audiences nationally and internationally. Some highlights for Nathan so far has been creating and world premiering “S” at Brisbane Festival and travelling around Australia on the CIRCA National Tour in 2012.
Jessica Connell completed a Diploma in circus arts at the National Institute of Circus Arts (NICA) in Melbourne. Formerly a member of the Flying Fruit Fly Circus specializing in hula-hoops and aerials, Jessica spent five years performing around Australia in a variety of productions. She also contributed to A4’s first production, Downpour in 2009.
In 2011 Jessica joined Circa where she was part of an eight-month season of Wunderkammer at the Chamäleon Theatre in Berlin. She then performed a three-month Australian regional tour of the Helpmann Award-winning show CIRCA.
One of her highlights with Circa is creating the world premiering “S” at Brisbane Festival in September 2012, which was her first new creation with the company.
Marty Evans came to circus by a more roundabout route than most. After watching nothing but circus videos during his lunchbreaks at Australia’s only nuclear reactor, Marty left behind his published scientific career, embracing his physical sports background to pursue a career in circus.
His first taste of circus came at the University of Sydney in 2010 as he tried to entertain himself during free periods by learning to throw people into the air and trying to catch them again. Marty trained at the National Institute of Circus Arts in Melbourne. He is a fiercely determined and hard working hand-to-hand base that enjoys exploring new challenges and techniques.
Marty joined the Circa Ensemble full time in 2015, and has been involved in the creation of numerous Circa productions including When One Door Closes and Humans.
Timothy Fyffe enrolled in circus classes at a young age due to endless levels of energy and no medium to harness it. With this new outlet that catered not only to the physical but the creative aspects of the body and mind, Tim was able to channel this energy and discover his passion.
Captivated by human movement and its limitless possibilities, finding a love for acrobatics came naturally. As the years passed, Tim’s dreams began to grow and as the growth continued, so too did the realisation of their reality. Currently in his final year of training at the National Circus School of Montreal, Tim spends his time training all sorts of skills with a strong focus on hand-to-hand, movement and acrobatics.
To create work that provokes feelings and encourages people to ask questions is a strong motivator for Tim. Tim joined Circa in 2016 and performed in the world premiere of Troppo at Brisbane Festival, before touring Europe with Beyond and on the Australian tour of Landscape with Monsters.
Keaton Hentoff-Killian was born straight into a circus family, and circus has always been part of his life. Since the young age of one month old, Keaton has been on stage. Unlike his siblings, circus didn’t come naturally to him. Growing up he was very adamant he wanted to be a librarian or something else equally as relaxing. However as the years went by his other interests just couldn’t keep up with his growing passion for circus.
Keaton graduated highschool a year early so he could attend Ecole Nationale de Cirque, where he specialised in tight wire with complementary disciplines in hoop diving and Chinese pole. He has worked with different companies including Circus Flora, Cirque du Soleil, Cirque Jean Coutu, Circus Harmony, Zoppe Circus and many more.
Keaton joined Circa just after he graduated in June 2016, he has performed in numerous shows and creations including What Will Have Been and Humans.
Rowan Heydon-White started flying around on a trapeze at an early age. After graduating with a Bachelor of Arts, majoring in Physical Theatre, she decided she wanted to actively delve further into circus and so moved to New Zealand to also complete a Diploma in Circus Arts.
Over the years she has performed widely around both Australia and overseas for various events ranging from corporate & private functions, to festivals and many contemporary circus productions. Her highlights so far include touring with Circus Oz, Legs on the Wall, Awkward Productions and Catcher.
Rowan became a full time Circa Ensemble member in 2013, and has participated in the creation of many Circa shows including The Physical Impossibility of Disappearing and Beyond, which Rowan has toured Australia and Europe performing.
Bridie Hooper tumbled into Spaghetti Circus at the age of 11, where her imagination became entirely unleashed. She was taught to bend, fly and dream, and at 16, Bridie ventured south to the banks of the Murray River to join the Flying Fruit Fly Circus.
In 2008 Bridie bid Australian soils ‘adieu’ to complete her studies at the Montreal National Circus School where she also had the chance to perform in the Vancouver Olympics Opening Ceremony, at Festival CIRCA, and in the Montreal Completement Cirque Festival in 2010 and 2011.
Upon graduating in 2012 Bridie toured Quebec with Vague de Cirque, performed in GOP Variété Dummy and returned to Australia to work for Circa. Since then, Bridie has toured across America, Europe and Australia and has participated in several new creations for Circa, including When One Door Closes, Humans, and One Beautiful Thing.
Todd Kilby from the New South Wales coastal city of Newcastle was born into the life of surfing and all things beach. He is a black belt in taekwondo and has both trained and performed with Circus Avalon and Hands Free Physical Theatre with whom he won a CONDA for stunt choreography.
Todd joined the National Institute of Circus Arts in 2008 and whilst there worked with the Tangentyre Council in Alice Springs teaching in the local Indigenous Youth Circus Arts Centre. While specializing in Chinese pole and hoop diving he has also been trained in teeterboard, adagio, tumbling and knockabout.
Todd is a multifaceted performer with a uniquely Australian style combining circus, dance, martial arts and drama. Todd has a passion and love of performing and entertaining audiences through exploration and raw human energy. For Todd, Circa is an elephant of awesome in the Savanna of Circus.
Nathan Knowles had the luck of being introduced to circus at the age of 7 when he marched home from school to tell his parents that one day he would leave suburbia behind and maybe never look back.
After 10 years of studying acrobatic dance and contortion, Nathan was accepted into Montréal’s renowned National Circus School where he spent 4 years specialising in hand balancing, contortion and aerial hoop.
Nathan joined the Circa ensemble in 2016, touring Mexico, Australia and Europe, and has since participated in the creation of Humans, and One Beautiful Thing.
Cecilia Martin grew up as an only child. With Spanish as her first language, she was engaging with her friends physically before she could communicate verbally. She grew up surrounded by sport, music and art and found a passion for circus early on, attending Warehouse Circus in Canberra. Cecilia went on to co-found the company Poncho Circus at the age of fifteen, where she created and performed in circus shows as part of an ensemble.
Cecilia is also a talented musician, demonstrating this by composing scores to three different circus productions. Upon graduating high school, Cecilia went on to study circus full time at the National Institute of Circus Arts (NICA) where she specialised in dance trapeze, Washington trapeze and group acrobatics.
She joined the Circa ensemble in late 2016 and has since participated in the creation of Humans, and One Beautiful Thing.
Gerramy Marsden started his circus training at the age of 14, joining a youth circus based in Queensland.
After discovering a natural talent for object manipulation, it was not long before he found himself performing seasoned shows at different venues from The Brisbane Powerhouse to the Adelaide Fringe Festival. He has recently completed a Bachelor of Circus studying at the National Institute of Circus Arts, where he has further advanced his training in the art form of acrobatic basing and Rolla Bolla.
Gerramy has been with the Circa ensemble since 2015, and has performed with multiple productions including Il Ritorno, Spanish Baroque and Beyond.
Conor Neall grew up doing parkour, gymnastics, martial arts and theatre, and generally jumping around and climbing on things he probably shouldn’t have. At age 17 he discovered diabolo and after a year of obsessive practice he was able to combine his physical skills with a love of performance by attending The Circus Space in London (now the National Centre for Circus Arts).
In 2011 Conor graduated from the Circus Space specialising Chinese pole. During his studies he also developed skills in floor acrobatics, contemporary dance, trampoline/tramp wall and teeterboard. Since graduation Conor has worked in physical theatre, opera, events and contemporary dance as well as circus, performing for companies including the English National Opera, Nike and United Visual Artists. Off stage Conor enjoys exploring, coffee drinking and solving Rubik’s cubes.
Conor first saw a Circa show in 2009, and has performed in various Circa productions including Landscape with Monsters, Wunderkammer and Troppo.
Daniel O’Brien has been physically active throughout his whole life, primarily focusing on his gymnastics training in his hometown and a few small gyms along the Queensland coastline. After high school Daniel made a decision to transition from the sport of gymnastics to a possible career in circus performance.
Daniel decided to move to Melbourne and study at the National Institute of Circus Arts, specialising in hand-balancing and aerial straps, where he gained his first experiences as a performer. He spends his spare time feeding his unhealthy addiction to video games or reading whatever he can get his hands on.
After attending NICA for three years, Daniel has fostered an immense passion for circus, honed his skills to a level, which has allowed him to join Circa as an ensemble member in 2015. He has since performed in the many iconic Circa works including What Will Have Been, Closer and Humans.
Kimberley O’Brien grew up competing in athletics and playing representative AFL. After seeing one of Circa’s shows, Kimberley joined Circa’s youth performance troupe Circa Zoo. After two years of training and performing Kimberley was given the opportunity to be the very first member of fast track, a program designed for young and aspiring performers within Circa.
In 2011 Kimberley left Circa Zoo and fast track and became a full-time ensemble member. Since then Kimberley has toured numerous shows in various countries and participated in the creation of many new Circa works. One of her highlights was performing Wunderkammer at the Sydney Opera House.
Kathryn O’Keeffe trained in Canberra originally as a gymnast and dancer before going to the Victorian College of the Arts (VCA) in 2003 to study dance. She then worked as an independent artist performing as well as creating works that mixed dance, physical theatre and circus for theatre, festivals and events. From 2008 onwards, Kathryn was a performer with Strange Fruit where she toured nationally and internationally for festivals and events in shows such as Swoon!, The Spheres and The Field.
During 2010 Kathryn was part of the seven- month aerial resident company that performed Airbourne – directed by Doug Tremlett and choreographed by Sue Broadway at the World Expo in Shanghai, China.
Kathryn first worked with Circa in 2011 where she performed in the world premiere of Nocturne in South Korea. She has been a full time ensemble member with Circa since 2012 where she has performed in shows including “S”, How Like an Angel, CIRCA, Wunderkammer and Beyond.
Paul O’Keeffe, aka ‘the human whippet, dexterous daredevil, neat freak and mister fixit,’ had his first professional gig in 1996 playing one of the lead roles in Company Skylark’s, Wake Baby. Since then he has toured the world from outback Australia to 42nd Street/Broadway, New York performing in circus, dance, puppetry, musical and physical theatre.
Off stage, Paul co-founded circus company Kronik, co-set up a professional circus training studio in Melbourne, co-managed Warehouse Circus, ran independent circus troupes, and co-coordinated and implemented a number of circus workshops including one for 10,000 scouts over a 10 day period.
Paul has performed with companies including Circus Oz, Circus Monoxide, Kronik, Cantina by Strut & Fret Production House, The Australian Choreographic Centre, Jigsaw Theatre Company, Out Of the Blue Studios, Malcom C Cooke & Associates and Legs On The Wall
Paul used to believe in his own immortality, now he just believes he’s a nut. He joined Circa as a full time ensemble member in 2013.
Seppe Van Looveren
Seppe Van Looveren describes himself as a sharp-minded, playful, blue eyed, Belgium fried acrobat! Seppe’s acrobatic and artistic vocation started in his neighbors city garden, leading to his involvement with Ell Circo D’Ell Fuego, an Antwerp-based artistic and social circus project known for ‘training their youngsters into lions.’
After exploring several different techniques and apparatuses, Seppe realised that moving and manipulating his own body and those of others proved to be more than just a hobby. During his involvement with ECDF, he took part in several creations, performing shows all throughout Belgium.
After 6 years at ECDF, Seppe continued his training at The National Circus School of Canada in Montreal. Seppe joined Circa in 2016 and performed in the world premiere of Troppo at Brisbane Festival, before touring Europe with Beyond.
Billie Wilson-Coffey discovered Spaghetti Circus at the age of 11 before moving to Melbourne to study at the National institute of Circus arts in 2007. In her graduating year Billie made her international debut at the 4th World Circus Festival in Moscow.
Billie joined Circa as a guest artist in 2011 for the world premiere of Nocturne in South Korea. Whilst working as a guest artist for Circa, Billie continued her solo work performing in cabarets and festivals nation wide.
Becoming an ensemble member at Circa in 2014, Billie toured How Like an Angel before an eight month residency at the Chamaleon theatre in Berlin performing Circa’s production of Beyond.
All Circa’s emails are first firstname.lastname@example.org apart from our Finance Department.
|Artistic Director & CEO||Yaron Lifschitz|
|General Manager||Charlie Cush|
|Partnerships and Development Manager||Donna Orazio|
|Technical Director||Jason Organ|
|Senior Producer||Danielle Kellie|
|International Representative – Worldwide||Paul Tanguay|
|International Representative – USA||David Lieberman|
|Production Manager||Richard Clarke|
|Production Coordinator||Emily Sweeney|
|Producer’s Assistant||Jodie Roche|
|Deputy General Manager||Lisa McCready|
|Marketing Manager||Beck Grace|
|Marketing Coordinator||Samuel Boyd|
|Finance Manager||Evan Wright|
|Training Centre Director||Bree Le Cornu|
|Acting Training Centre Director||Casey Douglas|
|Training Centre Trainers
All arTour’s emails are first email@example.com apart from our Finance Department.
|Creative Broker||Luke Harriman|
|Tour Producers||Tanya Bopf
|Marketing Manager||Beck Grace|
|Marketing Coordinator||Samuel Boyd|
|Accounts Assistant||Jen Hamilton|
All Gold Coast 2018 Commonwealth Game emails are first firstname.lastname@example.org.
|Programming Coordinator||Amelia Rushton|
|Directors||Peter Cunningham, Kerry Comerford, Christopher Brady, Alanna Herbst|
|Secretaries||Lisa McCready, Ingrid Costello|